Welcome to Todds Club. Today we bring you the list of the top ten guitar effect pedals for We are back for our viewer with the new interesting and exciting video. On our channel this time, we want to talk about the top ten guitar effect pedals for 2021. Some effect pedals were designed to deliver a handful of crucial effects. In contrast, others may focus on offering a smorgasbord DSP, expandable with as many simulations and results as the internet can provide for a downloadable amp and speaker. Comparing them only by numbers can be tempting, though that may not be the most beneficial strategy. It’s essential to understand what you will need, like buying every other piece of gear. Smaller-form devices like the TC Electronic Plethora X5 will comfortably fit on a pedalboard with other stompboxes, whereas more Significant offers, such as the Kemper Profiler Stage, were not only designed to replace your pedalboard completely but also your amplifier and cabinet.
1) Behringer FX600
Seeing this one on a list of the best multi-effects pedals is a surprise. But Behringer’s FX600 is one of the most value-for-money stompboxes you can find, let alone multi-effect devices, for the cost of four packs of strings. With six modes, the pedal arms you: flanger, chorus, phaser, delay, Tremolo, and pitch shifter, but no drives or verbs are available. However, all of them are digital effects, so expect them to be simple, light, and a tad shrill. And only one result at a time can be executed. The FX600 doesn’t have an LCD screen, unlike other multi-fx units on this list. However, it features a user-friendly four-control interface that includes an output knob, two-parameter knobs, and a mode selector.
Price of £49/$60 Type: Multi-effects stompbox Amp Models: N/A Effects: 5 I/O: 2x 1/4″ inputs, 2x 1/4″ outputs.
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2) NUX MG-100
The NUX MG-100 is a multi-effects processor that is designed for beginner guitarists at the entry stage. And it has to fit the price tag: it’s just $100. It gives you a taste of effect-chaining by allowing you to pick eight out of a total of 58 effects and engage them simultaneously. Alongside utility options such as a compressor, a six-band EQ as well as a noise gate, the pedal’s effects library contains the normal drives, reverbs, modulations, and delays. Not only does the MG-100 excel in the categories of effects and amp/sim, but its in-built drum machine and looper also make it ideal for gigging and rehearsal too. The former equips you with 56 patterns of rhythm, while the latter makes 40 seconds each of limitless overdubs. Practice should be a breeze with these in tow.
Price of £81/$99 Type: pedal multi-effect Amp Models: 13 Models:
(11 cabs) Effects: 58 I / O: 1x input 1/4, “1x output 1/4”, 1x aux input 1x
3) Tech 21 Fly Rig 5
Tech 21’s Fly Rig, launched in 2014, won applause for offering a great tone in a slimmed-down pedal configuration. Apart from its wealth of effects, the original Fly Rig’s star feature was the all-analog SansAmp technology, which gave it the sound and feel of a real stompbox. Tech 21 has modified the original Fly Rig formula with an individual reverb with the fifth iteration of the pedal that allows you to change room sizes, a tuner, an XLR output, and an effects loop. It brings a total of five impacts to it. Of course, the SansAmp technology has been preserved, along with common choices such as the Plexi / Cali crunch alternative and the vintage tape echo’s tap tempo features.
I / O: 1x 1/4 “input, 1x 1/4” main output, 1x XLR balanced output.
Price of $425 Type: multi-effect pedal board Amp Models: N / A Effects: 5 (boost, Plexi, blonde, delay, and reverb) I / O: 1x 1/4 “input, 1x 1/4” main output.
4) Boss MS-3
Look no further than Boss MS-3 if you are on the quest for an effect loop switcher with a high-quality multi-effect engine. Although the system stands out as a routing workhorse, it has three different loops of effects, it also fills in the gaps for effects you might miss. And although in your current setup, the MS-3 can. It takes some preparation, particularly if you are thinking of using it in a live show. A limitation with the MS-3 is the inability to change the loops’ sequence, so chart your signal paths carefully.
Type: multi-effect pedal with external loop switch Amp Models: N / A Effects: 118 I / O: input (1x 1/4 “instrument, 3x 1/4” loop returns, 2x 1/4 “control in / expression), output (2x 1/4” main, 3x 1/4 “loop sends, 1x 1/4” control out) MIDI output (2x 1/4 “control in / expression), output (2x 1/4” main, 3x 1/4 “loop sends, 1x 1/4” control out)
5) Line 6 HX Stomp
The HX Stomp is a lightweight programmable device brimming with amp and cab sims, products, and impulse response (IR), the smaller sibling to Line 6’s HX Effects. The variety of capabilities of the HX Stomp makes it well suited for various uses. As a ‘mega stompbox,’ you can deploy it, an add-on for other modelers, an audio interface, or the main guitar rig. For fans of Line 6’s legacy effects, there is also a treat, with the company bringing over products from its M-series pedals along with four classic stompbox models: DL4, MM4, FM4, and DM4. A vividly colored LCD screen and three capacitive-sensing footswitches with LED rings are at the top of the feature set.
Price of $559/£558 Type: Lightweight multi-effect pedal Amp Models: 77 (with 37 sim cabinet) Effects: 206 I / O: 2x 1/4 “inputs, 2x 1/4” output, 1/4 “send and return, MIDI in / out, 1/4” expression in / out, 1/4 “expression in / out.”
6) Eventide H9 Max Harmonizer
Although the H9 Max Harmonizer from Eventide is reminiscent of HAL 9000, we assure you it is not out to assassinate you. However, to please even the most critical tone snob, it has killer, studio-quality sound, a wealth of onboard effects, and deep programmability. The H9 Max for secessionists and studio musicians can very well be the desert-island pedal. In Eventide’s H9 Control app, the real magic of the H9 Max lies. Think of this as the ‘stompbox command center’. It allows you to load and build presets, manage parameters, and even remotely control the H9 via Bluetooth. The software is also home to more than 500 tonnes of presets and algorithms that can be downloaded.
Price of $699/£629 Type: Stompbox Amp Multi-effects Models: N/A Effects: 49 I/O: 2x inputs of 1/4′, 2x outputs of 1/4.
7) Line 6 POD Go
It has more in common with the Helix than the old Pod units at first sight, and that’s also true under the hood since it runs off the same base modeling software. It implies that it comes fitted with over 300 amps and effects taken from the Helix, M-Series, and legacy libraries of Line 6. It even supports third-party IRs if that’s not enough. It’s a little more compact than the Helix units that are fully-fledged, allowing you to run up to six simultaneous amp, cab, and impact blocks at any time. You can also create four more variations on a preset using the new Snapshot function and turn between them at the push of a footswitch. The unique inclusion of an expression pedal has been squeezed into the 313 x 520 x 148 mm relatively small machine footprint.
Price: £513/$630 Type: Multi-effect pedal w/ IR loading Amp Models: Over 300 Effects: Over 270 I / O: 1x 1/4 “input, 2x 1/4” main output, 1x 1/4 “amp output, 1/4” send and return
8) Mooer GE250
A fair bit more compact and every bit as strong is Mooer’s new multi-effects machine. There are 11 blocks into which you can load a combination of 180 effects by taking signals from the GE300. These can consist of 70 amp models included and 32 speaker cabinet models based on impulse response. Support for third-party IRs has also been extended compared to the GE300 to allow for higher-resolution images. If it doesn’t quite cut this large number of amps or doesn’t want to abandon your standard amp rig, the unit also allows you to use Mooer’s Tone Capture tech to create a model of your actual amplifier.
Price of £366/$450 Model: 70 Effects: 180 I / O: 1x 1/4 “input, 2x 1/4” outputs, 2x XLR outputs Type: multi-effects with IR loading Amp Models: 70 Effects: 180 I / O: 1x 1/4 “input, 2x 1/4” outputs.
9) Carl Martin Acoustic GiG
It is typically electric players considered when considering multi-effect units-perhaps they are trying to condense a spaceship-sized pedalboard into a single unit or look for something more compact than a vintage tube amp. The effect pedals also take a practical, more subtle approach for the acoustic player-one that does just that is the Carl Martin. They’re also all voiced to take piezo pickups, so when using an electric-focused machine, there’s none of the unnecessary ‘quack’ you might get. There’s also a tuner and tap-tempo for the echo to make gigs easier, as well as the option for XLR or quarter-inch out. The acoustic GiG is loaded with a phase inverter if you’re worried about feedback while boosting your signal.
Price of £479/$630 Model: N/A Effects: 5 (preamp, compressor, echo, reverb, and boost) I/O: 1x 1/4′ inputs, 1x 1/4 output, 1xXLR output, 1/4′ send and return I/O: 1x 1/4′ inputs, 1x 1/4 output, 1xXLR output.
10) TC Electronic Plethora
The plethora, first teased back in September 2019 as the long-awaited ‘TonePrint Pedalboard’ opens the signature TonePrint technology of TC Electronic Plethora into something more robust and customizable. The device itself allows you to put together preset ‘boards,’ each made up of five distinct effects, most specifically imitating a classic of TC Electronic, such as the reverb of the Hall of Fame. With an external effects loop, you can also add your effects to the mix and wirelessly edit presets using your phone and the TonePrint app. This device can substitute an entire pedalboard/amp rig with cab simulation and a very busy I / O section. Models: N / A Effects: 75 Toneprints (5 at a time, 127 custom pedalboard combinations) I / O: 2x quarter-inch inputs, 2x quarter-inch outputs, quarter-inch send and return, MIDI in / thru, 1x quarter-inch speech output.
Price of £395/$750 Type: multi-effects w/ Toneprint Amp.